How to Cite
Binder, Max: Ernst Kurth und Sergej Taneev: Philosophie linearer Satztechniken zu Beginn des 20. Jahrhunderts und ihre Auswirkungen auf zeitgenössische Kompositionen, Heidelberg: Heidelberg University Publishing, 2024 (Heidelberger Schriften zur Musikwissenschaft, Volume 2). https://doi.org/10.17885/heiup.1131
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ISBN 978-3-96822-154-0 (PDF)
ISBN 978-3-96822-155-7 (Hardcover)
Published
07/18/2024
Ernst Kurth und Sergej Taneev
Philosophie linearer Satztechniken zu Beginn des 20. Jahrhunderts und ihre Auswirkungen auf zeitgenössische Kompositionen
The emergence of Linearity at the beginning of the 20th century represents a remarkable but yet rarely dealt with phenomenon in music history. Two main protagonists of the time were Ernst Kurth (Bern) and Sergei Taneev (Moscow), whose counterpoint theories formed the basis for the work of numerous musicians of the time. Although concerning the same subject, both theories show fundamental differences, in music-theoretical as well as in music-aesthetic respect. It turns out that these different philosophies are reflected in numerous works by composers such as Ernst Křenek, Artur Schnabel, Alexander Scriabin and Nikolaj Metner.
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7 – Die Interpretation des „Linearen Kontrapunkts“: Zeitgenössische Kompositionen in der Nachfolge Ernst Kurths
93-125
