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Mladenova, Radmila (Ed.): Counterstrategies to the Antigypsy Gaze, Heidelberg: Heidelberg University Publishing, 2024 (Interdisciplinary Studies in Antigypsyism: Book series initiated by the Research Centre on Antigypsyism, Volume 5). https://doi.org/10.17885/heiup.1039

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https://doi.org/10.17885/heiup.1039
ISBN 978-3-96822-151-9 (PDF)
ISBN 978-3-96822-152-6 (Hardcover)

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08/22/2024

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Authors

Radmila Mladenova (Ed.)

Counterstrategies to the Antigypsy Gaze

Interdisciplinary Studies in Antigypsyism: Book series initiated by the Research Centre on Antigypsyism

Countering antigypsyism in film is the problem field which this edited collection inaugurates. The aim is to shift the focus from antigypsyism critique and open up alongside it a new set of discussions about the artistic counterstrategies to antigypsyism, highlighting the need for intertextual, transcultural, and transmedial approaches in the analysis. The contributions foreground the applicability of the research findings and provide a broad range of examples, which may be useful to filmmakers and professionals from the film industry.

The volume documents the case studies presented at the international workshop “Artistic Alternatives to the Antigypsy Gaze” held in Heidelberg in 2021.

Radmila Mladenova is a literature and film scholar and works at Heidelberg University’s Research Centre on Antigypsyism. Her research interests lie at the intersection of racism and art. In 2021, she defended her PhD thesis The ‘White’ Mask and the ‘Gypsy’ Mask in Film at the Slavic Institute in Heidelberg. She graduated with degrees in Culture in the Process of Modernity at Mannheim University and English and American Studies at Sofia University.

Chapters

Table of Contents
Pages
PDF
Front matter
i-iv
Table of Contents
v-vii
Radmila Mladenova
Preface
ix-xii
Radmila Mladenova
Key Questions, Pitfalls, and Examples of Effective (Filmic) Counterstrategies: The Case of Antigypsyism
1-32
SECTION I Artistic Alternatives to Antigypsyism
33
Daniela Gress
Erzählperspektiven und Ermächtigungsstrategien in den Dokumentarfilmen von Melanie Spitta und Katrin Seybold
35-67
Frank Reuter
Der lange Weg zum Subjekt: Überlegungen zur Rolle fotografischer Selbstzeugnisse bei der Dekonstruktion antiziganistischer Stereotype
69-88
Julia Friedrich
Bild und Gegenbild: Otto Mueller und Peter Nestler im Museum Ludwig
89-99
Tirza Seene, Lea Wohl von Haselberg
Re-Lektüre, Selbstermächtigung, Konfrontation. Filmische Strategien gegen Antisemitismus
101-117
Hilde Hoffmann
„Taikon“ (2015): Film als (Gegen-)Archiv und Gedächtnis sozialer Bewegungen
119-135
Sabine Girg
„Camelamos naquerar“ (1976): Vom Typus zum Akteur – filmische Strategien der Repräsentationskritik und des Empowerments
137-168
Kirsten von Hagen
Jenseits der Bilder – Tony Gatlifs Filmästhetik
169-186
Matthias Bauer
Framing und Re-Framing in „Le Gitan“ (1975): Zur Genese und Kritik von Stereotypen im Spielfilm
187-200
Marina Ortrud M. Hertrampf
Romnja zwischen Aufbruch und Emanzipation: Perspektivwechsel und Neubestimmungen von Romni-Darstellungen in „Carmen y Lola“ (2018), „Seule à mon mariage“ (2018) und „Gipsy Queen“ (2019)
201-233
Sarah Heinz
Mobilizing the Cozy Homestead: Sedentarist Notions of Home and Irish Traveller Belonging in Paul Rotha’s “No Resting Place” (1951)
235-249
Michael Haus
Filme politisch lesen – Anregungen für die kritische Filmanalyse aus dem Diskurs zu Critical Media Literacy und der Politischen Theorie
251-272
Dávid Szőke
Roma Heroes in Contemporary Theater and Education
273-288
SECTION II New Critical Insights into Filmic Antigypsyism
289
Mariana Sabino Salazar
From ‘White’ Stolen Children to Devil’s Assistants: The Transformation of the ‘Gypsy’ Female Character in Mexican Cinema and its ‘Race’ and Nationalist Implications
291-315
Ismael Cortés
“Gitanos” and Subalternity in “Cine Quinqui”: The (Un)Archived Spanish Transition
317-337
Hans Richard Brittnacher
Messerstecher und Schwarzbrenner – die Zählebigkeit antiziganistischer und antisemitischer Stereotype in „Peaky Blinders“
339-355
Alexandra Vinzenz
László Moholy-Nagys „Grossstadt-Zigeuner“ (1932) – Kanonisierung und Reproduktion antiziganistischer Bilder
357-381
Radmila Mladenova
The Shtick of Antigypsyism in Documentary Film and the Monomyth: How a Universal Storytelling Model Got Hijacked by Racism
383-414
Johannes Valentin Korff
Imagining the ‘Gypsy’ and the Jew in Japanese Animation: The Case of Aikawa Shō and Mizushima Seiji
415-433
About the Authors
435-447

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