How to Cite

Nanobashvili, Nino and Teutenberg, Tobias (Eds.)Law, Rebecca (Transl.): Drawing Education – Worldwide! Continuities – Transfers – Mixtures, Heidelberg: Heidelberg University Publishing, 2019. https://doi.org/10.17885/heiup.457

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This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.17885/heiup.457
ISBN 978-3-947732-30-2 (PDF)
ISBN 978-3-947732-31-9 (Softcover)
ISBN 978-3-947732-32-6 (Hardcover)

Published

05/29/2019

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Authors

Nino Nanobashvili (Ed.), Tobias Teutenberg (Ed.)

Drawing Education – Worldwide!

Continuities – Transfers – Mixtures

From early modern to modern times, drawing was firmly anchored in the realities of European society as a cultural technique. Based on this fact, the present volume asks for the first time about the significance of drawing and drawing education in other cultural areas. Indigenous methods of drawing and sign-learning in Arabic, Asian, Latin American, North American and European countries are addressed, as well as historical transfer processes of didactic methods, aesthetic norms and educational institutions of drawing instruction.

About the Editors:

After Magister and PhD in Tbilisi and Munich Nino Nanobashvili was a research assistant in the project “Episteme der Linien” at the Central Institute for Art History. Currently she is a curatorial assistant at the Bayerische Staatsgemäldesammlungen and worked lately on the exhibition “Florence and its painters” in the Alte Pinakothek. In her research she focuses on drawing practices and processes in the early modern time.

Tobias Teutenberg studied art history in Kassel, Eichstädt, Augsburg, Paris and Munich and worked as a research associate and assistant at the Central Institute for Art History and the LMU in Munich. His research focuses on the art history of perception in the 19th and 20th centuries.

Chapters

Table of Contents
Pages
PDF
HTML
Titelei
I-IV
Inhaltsverzeichnis
V-VII
Tobias Teutenberg
Introduction: Towards a Global Perspective on the History of Drawing and Drawing Education
1-13
Continuities
15
Lamia Balafrej
Figural Line: Persian Drawing, c. 1390–1450
17-34
Nino Nanobashvili
The Epistemology of the ABC Method: Learning to Draw in Early Modern Italy
35-52
Peter M. Lukehart
Evidence of Drawing: Giovanni Battista Paggi and the Practice of Draftsmanship in Late Sixteenth-Century Italy
53-77
Alexander Klee
Forming a Common Language: The Teaching of Drawing in the Habsburg Empire from 1850
79-96
Johannes Kirschenmann, Caroline Sternberg
“You Have to Draw with More Attention, More Dedication”: The Relevance of Drawing for Artistic Education at the Academy of Fine Arts Munich and its Significance in International Contexts
97-117
Transfers
119
Werner Kraus
Picture and Drawing Education in Nineteenth-Century Java
121-145
Elena S. Stetskevich
Drawing Education at the Russian Academy of Sciences in the First Half of the Eighteenth Century
147-166
Veronika Winkler
Drawing Books and Academic Demands in the Viceroyalty of Peru
167-202
Oscar E. Vázquez
Drawing, Copying and Pedagogy in Mexico’s and Brazil’s Art Academies
203-214
Harold Pearse
Drawing Education in Canadian Schools: Late Nineteenth to Mid-Twentieth Century as Seen Through Drawing Textbooks
215-232
Mixtures
233
Rikako Akagi, Kenji Yamaguchi
The Evolution of Drawing Education in Modern Japan: The Impact of Traditional and Introduced Methods on the Artworks of Elementary Students in the Meiji Era
235-254
Ok-Hee Jeong
A Historical Review of Cultural Influences on Korean Art Education
255-274
Xin Hu
Drawing in China: Art and Art Education in the Wake of Modern China
275-288
Judith Rottenburg
The École des Arts du Sénégal in the 1960s: Debating Visual Arts Education Between “Imported Technical Knowledge” and “Traditional Culture Felt from Within”
289-304
Charlotte Bank
Art Education in Twentieth Century Syria
305-319
On the Contributors
321-323

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