Cover des Buches  Collectives, Localities, Networks zeigt ein Schild mit der Aufschrift 5 b an einer Hausfassade

How to Cite

Harles, Marlène: Collectives, Localities, Networks: A Translocal Ethnography of Emerging Contemporary Art Field(s) in Nepal and Bangladesh, Heidelberg: Heidelberg University Publishing, 2023 (Heidelberg Studies on Transculturality, Volume 10). https://doi.org/10.17885/heiup.1216

Identifiers

ISBN 978-3-96822-216-5 (PDF)
ISBN 978-3-96822-218-9 (Hardcover)

Published

11/16/2023

Authors

Marlène Harles

Collectives, Localities, Networks

A Translocal Ethnography of Emerging Contemporary Art Field(s) in Nepal and Bangladesh

Artist collectives emerge as driving forces in the art field. They activate new spaces as locales of artistic practice and display. They shape emerging formats, from neighborhood arts projects to largescale biennials. In their practice, the artists challenge established notions of art as well as hegemonic circumscriptions of locality. This book results from a long-term engagement with artists in Nepal and Bangladesh and follows an actor-centered approach to unravel notions of contemporaneity and collectivity. Its focus on collaborative art practices together with its multi-scalar and translocal perspective urges us to rethink the use of terms such as the city, the region or the global that often transport hierarchies.

Marlène Harles is a visual anthropologist and curator. In 2019, she completed her doctoral research on artist collectives in Nepal and Bangladesh at the Cluster of Excellence Asia and Europe in a Global Context at Heidelberg University. Currently, she is the curatorial assistant at Kunsthalle Mainz. Her research interests include contemporary art, representation and visuality in relation to collective practices, identity, gender and feminism.

Chapters

Table of Contents
Pages
PDF
HTML
Title
Dedication
V
Table of Contents
VII
Note on Anonymization, Transliteration, and Translation
IX
List of Transcribed Interviews
XI-XIII
List of Figures
XV-XVI
Acknowledgements
XVII
Points of Departure: Collectives, Localities, Networks
1-45
1: (Trans)localities: Thinking through the Nation—Identity, History, and Contemporary Art
47-88
2: (Trans)localities: Creative Place-Making in the City
89-126
3: Contesting the Art Institution: Between “Fine Art” Education and Contemporary Practice
127-165
4: The Field of Contemporary Art Production: National Academies, Art Foundations, Collectives
167-194
5: Connecting Art Events: Large-Scale Perennial Events as Platforms for Translocal Contact
195-268
6: Situating Connections: International Workshops, Performance Art, and the Translocal Network(s) of Contemporary Art
269-299
7: Hanging Out in the Translocal Artist Community: New Media and English as Tools of Cultural Brokerage
301-336
Final Thoughts
337-345
Bibliography
347-371

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