Zitationsvorschlag

Heyd, Thomas: Understanding Palaeolithic Figurative Manifestations as Art: an Hermeneutic Perspective, in Haidle, Miriam Noël et al. (Hrsg.): Images, Gestures, Voices, Lives. What Can We Learn from Paleolithic Art?, Heidelberg: Heidelberg University Publishing, 2025 (ROCEEH Communications, Band 2), S. 29–46. https://doi.org/10.17885/heiup.1453.c21852

Identifier (Buch)

ISBN 978-3-96822-290-5 (PDF)
ISBN 978-3-96822-291-2 (Hardcover)

Veröffentlicht

14.08.2025

Autor/innen

Thomas Heyd

Understanding Palaeolithic Figurative Manifestations as Art

an Hermeneutic Perspective

Abstract Palaeolithic manifestations constitute an extraor­dinary window to the lifeworld of people with whom we share many human-making traits even if the precise con­tent of their experiences would have been considerably dif­ferent from ours. Understanding Palaeolithic visual imagery constitutes a particular case of the more general hermeneu­tical problem of understanding cultural manifestations of peoples from other times and places. Following Hans-Georg Gadamer’s approach to hermeneutics, Palaeolithic manifes­tations require taking into account the contexts in which they were produced as well as our contemporary contexts of interpretation. The objection that Gadamer’s hermeneu­tics would require the elimination of the category art from archaeological research of Palaeolithic manifestations is considered and rejected. It is concluded that hermeneutics offers a valuable, fruitful avenue for deriving new insights regarding their makers’ cultural grasp of the world.

Keywords Palaeolithic, hermeneutics, Gadamer, art, understanding, cave art