Minoische Bild-Räume. Neue Untersuchungen zu den Wandmalereien des spätbronzezeitlichen Palastes von Knossos
This volume presents a new analysis of the wall paintings discovered over a hundred years ago in one of the most important centres of Minoan culture, the palace at Knossos. Introducing the theoretical concept of Bild-Raum, a relational construct linking pictorial elements with humans, actions and places, the aim is to produce new insights as to the types of rituals, ideas and people which can be related with individual parts of the palace based on the decoration painted on the walls. The images and architecture of three key areas of the palace are studied in broad detail, improving our understanding of performances and people involved and their role within the complex history of the Late Bronze Age palace at Knossos.
Coming in Summer 2020
The roots of contact linguistics. On the emergence of the language contact paradigm in the science of language
Reflecting on language contact and language mixing is part of the European-Western occupation with language from the beginning. Starting with Plato, it is for a long time a rather unexcited reflection, until in the 19th century, the perspective changes radically: the normality of cases of contact and mixing is gone, they become a research taboo first and only a little later a research focus, from which a separate discipline, contact linguistics, emerges. This book, for the first time, tells the whole story of the study of language contact up to the 20th century, and shows how critical-historiographic studies can help to understand and advance current debates (for example, in creolistics).
Coming in Autumn 2020
Marie Luise Gothein’s “A History of Garden Art”
The image of the garden as text
Marie Luise Gothein’s „A History of Garden Art“, first published in 1914 and still in print, was immediately recognized as a classic, but has so far never been brought into focus as a seminal work of the discipline. This thesis examines the cultural scientist's intellectual and aesthetic concepts that guided her in her description of garden art. What defining concepts did she have when presenting the ever-changing art work of the garden in text and image? What role does the reform garden movement play, which was in full swing at the time of publication? The analysis of Gothein's descriptions of gardens, such as Villa d'Este, shows how fundamentally historical writing is influenced by the challenges of the time. The volumes reflect an ecocritical human approach to the environment.
Coming in Autumn 2020