List of titles
- A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9 All
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‘China’ on Display for European Audiences? The Making of an Early Travelling Exhibition of Contemporary Chinese Art: China Avantgarde (Berlin/1993)
66-139 -
"Dividing up the [Chinese] Melon, guafen 瓜分": The Fate of a Transcultural Metaphor in the Formation of National Myth
9-122 -
"This charnel house of historic memories": Salonica as Site of Transcultural Memory in the Published Writings of Cecil Roth
1-53 -
“Enjoying the Four Olds!” Oral Histories from a “Cultural Desert”
177-214 -
“Luxury” and “the Surprising” in Sir William Chambers’s Dissertation on Oriental Gardening (1772): Commercial Society and Burke’s Sublime-Effect
45-76 -
The “Mongol” Cloud Collar of the Serbian Despot John Oliver: An Historical and Iconographic Investigation
1–30 -
“Re-thinking Artistic Knowledge Production: Global Media Cultures—Distributed Creativity.” An Introduction
64-69 -
“Sì in Muran come fuora de Muran”: Transcultural Itineraries and Material Counternarratives in Venetian Glass, c. 1450–1650
31–62 -
“Unsettling” the Forest as a Canadian Nationalist Imaginary: Consent, Consultation, and (Re)conciliation in Leila Sujir’s Forest!
46–76 -
(Re-)Configuring Mao: Trajectories of a Culturo-Political Trend in West Germany
189-231 -
2010/1 Cover
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A Mathematic Expression of Art: Sino-Iranian and Uighur Textile Interaction and the Turfan Textile Collection in Berlin
134-163 -
A Space That Has Been Laboured on: Mobile Lives and Transcultural Circulation around Darjeeling and the Eastern Himalayas
54-85 -
A Voluntary Gleichschaltung? Indian Perspectives Towards a non-Eurocentric Understanding of Fascism
63-100 -
Adding Value: Recent Trends in Museum Exhibitions of Asian-Pacific Artifacts. Guest Editor’s Introduction
121-125 -
Ambivalence, Amity, and Enmity in Israel/Palestine
27–44 -
Ambivalent Appropriations: Narrating Enmity through the Monumental Remains of South Asia
73–95 -
Ambivalent Enmity and Adolescence in a Wartime Diary (1941–1944): Historical and Psychological Perspectives
45–72 -
Ambivalent Enmity: Making the Case for a Transcultural Turn in Enmity Studies Introduction
1–26 -
An Imagined Interview with Rudolf G. Wagner: His Thoughts on the Lifeworld in the Anthropocene Age, the Trees/Forest Metaphor, and the Culture of Nature in Transcultural Studies
119–134 -
Anesaki Masaharu's Reception of Leo Tolstoy and His Failed Attempt at Finding the Faith
72–94 -
Art as Refuge: Jewish Publishers as Cultural Brokers in Early 1920s Russian Berlin
9-42 -
Art at the Crossroads: Lacquer Painting in French Vietnam
126-170 -
Art, Nature, Ghosts, and Ice Cream: Transcultural Assemblages of Prince Hermann von Pückler-Muskau (1785–1871) and Machbuba/Ajiamé/Billilee
78-120 -
Asouzu’s Ibuanyidanda Ontology and Heidegger’s Ontology of “Dasein-with-Others”
112–141
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