“Re-thinking Artistic Knowledge Production: Global Media Cultures—Distributed Creativity.” An Introduction

Authors

  • Franziska Koch
    Heidelberg University

    Franziska Koch is a postdoctoral researcher and assistant professor to the chair of global art history at the Cluster of Excellence “Asia and Europe in a Global Context” of Heidelberg University. Her research centers on contemporary Asian art with a focus on China and Korea and on exhibitions as mediators of transcultural artistic and curatorial practices. As a member of the DFG-Research Network “Medien der kollektiven Intelligenz” (University of Konstanz, 2011–2014) she co-organized the symposium “Re-thinking Artistic Knowledge Production: Global Media Cultures–Distributed Creativity” (Heidelberg University, 2013). She is the co-editor of Negotiating Difference. Contemporary Chinese Art in the Global Context (Weimar: VDG Weimar, 2012). Her dissertation will be published as Die “chinesische Avantgarde” und das Dispositiv der Ausstellung. Konstruktionen chinesischer Gegenwartskunst im Spannungsfeld der Globalisierung (Bielefeld: transcript, spring 2016).

An introduction to the section, “Re-thinking Artistic Knowledge Production: Global Media Cultures—Distributed Creativity,” which features two contributions chosen from a symposium with the same title that took place May 23‒24, 2013 based on a collaboration between members of the DFG research network “Medien der kollektiven Intelligenz” (2011–2014, University of Konstanz) and hosted by the chair of global art history at Heidelberg University. 
Published in Vol. 6 No. 2 (2015), 64-69
Date
2015-12-21
DOI
https://doi.org/10.17885/heiup.ts.23490
URN
License

Copyright (c) 2015 Franziska Koch

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish with this journal agree to the following terms:

 

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

     
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

     
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
“Re-thinking Artistic Knowledge Production: Global Media Cultures—Distributed Creativity.” An Introduction. (2015). The Journal of Transcultural Studies, 6(2), 64-69. https://doi.org/10.17885/heiup.ts.23490
More Citation Formats
Section:
Themed Section: Re-thinking Artistic Knowledge Production
Keywords:
collaborative artistic and aesthetic practices, collective artistic practices, global media cultures, distributed creativity, transculturality
Language:
en
Academic discipline and sub-disciplines:
art history, anthropology, cultural studies, transcultural studies,
Type, method or approach:
transcultural studies; art historical approach; cross-disciplinary reflection
Published in Vol. 6 No. 2 (2015), 64-69
Date
2015-12-21
DOI
https://doi.org/10.17885/heiup.ts.23490
URN
License

Copyright (c) 2015 Franziska Koch

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish with this journal agree to the following terms:

 

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

     
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

     
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
“Re-thinking Artistic Knowledge Production: Global Media Cultures—Distributed Creativity.” An Introduction. (2015). The Journal of Transcultural Studies, 6(2), 64-69. https://doi.org/10.17885/heiup.ts.23490
More Citation Formats