Bd. 13 Nr. 1-2 (2022)

• Front Matter

  • PDF (English)

Editorial Note

• Editorial Note

  Monica Juneja, Joachim Kurtz

  vi–xi

  • PDF (English)
  • HTML (English)

Themed Section

• Transcultural Mobility: Cosmopolitan Artefacts, Artists, and Intellectuals across the Global Muslim World Introduction

  Yuka Kadoi

  1–5

  • PDF (English)
  • HTML (English)

• Of Texts and Objects: Perceptions of “Persian” Art from Later Byzantium to Modern Greece

  Nikolaos Vryzidis

  6–31

  • PDF (English)
  • HTML (English)

• Inter-pictorial Religious Discourse in Mughal Paintings: Translations and Interpretations of Marian Images

  Alberto Saviello

  32–55

  • PDF (English)
  • HTML (English)

• Embracing Islam: Okakura Tenshin at the Limits of His Alternative Orientalism

  Yuka Kadoi

  56–75

  • PDF (English)
  • HTML (English)

• The Significance of Mobility and the Artistic Practice of Zahoor ul Akhlaq

  Simone Wille

  76–111

  • PDF (English)
  • HTML (English)

Artikel

• Asouzu’s Ibuanyidanda Ontology and Heidegger’s Ontology of “Dasein-with-Others”

  Anthony Chimankpam Ojimba

  112–141

  • PDF (English)
  • HTML (English)