Sardinian, Italian, Mediterranean: the significance of Cagliari’s liminality in post-war documentaries and newsreels
A selection of Italian nonfiction films produced in the aftermath of the Second World War represent Cagliari, the capital city of the autonomous region of Sardinia. Taking into account the city’s accumulation of transcultural memories, this article examines the role these newsreels and documentaries played in crafting an image of Cagliari that was intended to be spread across Italian society. The concept of liminality, both in its anthropological and in its postcolonial contexts, is mobilized to explore the extent to which these films re-elaborate the suspended temporality and spatiality of Cagliari’s transcultural memory in relation to Sardinia, the Italian peninsula, the Mediterranean Sea, and the Western world.
Copyright (c) 2020 Gianmarco Mancosu
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Copyright (c) 2020 Gianmarco Mancosu
Dieses Werk steht unter der Lizenz Creative Commons Namensnennung - Nicht-kommerziell 4.0 International.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
