Representing the Republic of Korea in Europe: The Sarangbang display in Copenhagen and London
Authors
Taking two examples, Sarangbang displays in the National Museum of Denmark (1966) and the British Museum (2000), my research traces the construction and circulation of meaning within permanent Korean art and culture exhibition galleries, as conceptualized by the government of the Republic of Korea (South Korea). By analyzing the visual and textual discourse of displays that reconstruct the sarangbang (scholars’ study) of the late Chosŏn period, primarily the 18th and 19th centuries, I seek to explore the communication dynamics employed to deliver knowledge about Korean art to European visitors, to integrate such knowledge within the Euro-centric universal knowledge production system, and to subvert (or to reinforce) the global hierarchies of values applied to non-European and traditional arts.
Copyright (c) 2019 Park Ji Young

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Copyright (c) 2019 Park Ji Young

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
