How to Cite

Leopold, Silke and Pelker, Bärbel (Eds.): Fürstliches Arkadien: Sommerresidenzen im 18. Jahrhundert, Heidelberg: Heidelberg University Publishing, 2021 (Schriften zur Südwestdeutschen Hofmusik, Volume 5). https://doi.org/10.17885/heiup.778

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.17885/heiup.778
ISBN 978-3-96822-059-8 (PDF)
ISBN 978-3-96822-058-1 (Hardcover)

Published

07/15/2021

Downloads

Download book (PDF/7MB)
Read book (HTML)
Statistic

Authors

Silke Leopold (Ed.), Bärbel Pelker (Ed.)

Fürstliches Arkadien

Sommerresidenzen im 18. Jahrhundert

Schriften zur Südwestdeutschen Hofmusik

In academic research, princely summer residences are regarded as places of longing, where rulers sought to realize their dream of an earthly paradise and escape the constraints of courtly ceremonial. Traditionally, this research has been based in history of art. What music was made in the summer residences, and how it might have differed from that of the main residence, has not yet been systematically studied. The conference made a contribution to this by examining the musical life at selected European summer residences of the eighteenth century and relating it to one another. The individual contributions present the respective situations of the cultivation of music at selected summer residences in the German-speaking countries as well as in Italy, Spain, England, Sweden and Russia.

Silke Leopold studied musicology, theater studies, Romance studies and literature in Hamburg and Rome (1975 doctorate, 1987 habilitation). She was a full professor of musicology at the University of Paderborn and the Detmold University of Music (1991–1996) as well as a full professor and director of the musicology seminar in Heidelberg (1996–2014).

Bärbel Pelker studied school music at the Staatliche Hochschule für Musik Heidelberg-Mannheim as well as musicology and German studies in Heidelberg (1990 doctorate). She worked as a research associate in the research units History of the Mannheim Court Orchestra (1990-2006) and History of Southwest German Court Music (2006-2015) of the Heidelberg Academy of Sciences. Since 2015, she has been vice president of the Society for Music History in Baden-Württemberg.

Chapters

Table of Contents
Pages
PDF
HTML
Titelei
Inhalt
Vorwort
1-2
Silke Leopold
Der Traum vom irdischen Paradies
Musik in fürstlichen Sommerresidenzen
3-22
Christoph Flamm
Pleinair-Konzert und Opernhaus
Musikleben auf den Sommerresidenzen der Petersburger Zarenfamilie im 18. Jahrhundert
23-37
Rainer Kleinertz
Aranjuez und der harmonische Staat
39-44
Michael Hochmuth
Die Sommerresidenz der sächsischen Kurfürsten und Könige
Musik und Theater auf Schloss Pillnitz
45-57
Thomas Betzwieser
Von Gondolieri, Ruinen und Seeschlachten: der theatrale Sommer in Franken
59-73
Martina Grempler
Musik an den Habsburgerschlössern Schönbrunn und Laxenburg unter der Regentschaft Maria Theresias
75-85
Holger Kempkens
Die kurkölnische Sommerresidenz Brühl unter Kurfürst Clemens August von Bayern
87-101
Andreas Waczkat, Timo Evers
»Was Musik anlangt, so unterblieben die Hof-Konzerte nicht«
Zur Hofmusik der abwesenden Kurfürsten von Hannover 1714 bis 1814. Eine Standortbestimmung
103-115
Matthew Gardner
Music at Royal Country Residences in England During the Reigns of George I and George II
117-128
Lucio Tufano
Opera, Ball and Spoken Theatre at the Royal Palace of Caserta
129-173
Inga Lewenhaupt
Musik und Theater in der Sommerresidenz Drottningholm (1744–1791)
175-189
Ute Christine Berger
»Nichts war angenehmer als die Sommerreisen...«
Carl Eugens Lustschlösser
191-205

Comments