Ukiyo-e between Pop Art and (Trans)cultural Appropriation: On the Art of Muhamed Kafedžić (Muha)
Authors
-
Srđan Tunić
Civil Association ARTIKAL, Belgrade, Serbia. Currently student at the University of Arts in Belgrade, Serbia.
Art historian, freelance art curator and cultural manager based in Belgrade, Serbia.
Published in Vol. 8 No. 1 (2017), 259-283
Date
2017-10-10
License
Copyright (c) 2017 Srđan Tunić

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Ukiyo-e between Pop Art and (Trans)cultural Appropriation: On the Art of Muhamed Kafedžić (Muha). (2017). The Journal of Transcultural Studies, 8(1), 259-283. https://doi.org/10.17885/heiup.ts.2017.1.23706
Section:
Reports from the Field
Keywords:
Ukiyo-e, pop art, Muha
Language:
en
Academic discipline and sub-disciplines:
Art History, Bosnian Art, Herzegovinian Art, Japanese Art, Transcultural Studies
Published in Vol. 8 No. 1 (2017), 259-283
Date
2017-10-10
License
Copyright (c) 2017 Srđan Tunić

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Ukiyo-e between Pop Art and (Trans)cultural Appropriation: On the Art of Muhamed Kafedžić (Muha). (2017). The Journal of Transcultural Studies, 8(1), 259-283. https://doi.org/10.17885/heiup.ts.2017.1.23706
