Agonale Invektivität
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Müller, Jürgen: Der Maler als Pasquino – Spott, Kritik und Subversion, in: Israel, Uwe, Kraus, Marius and Sasso, Ludovica (Eds.): Agonale Invektivität: Konstellationen und Dynamiken der Herabsetzung im italienischen und deutschen Humanismus, Heidelberg: Heidelberg University Publishing, 2021 (Das Mittelalter. Perspektiven mediävistischer Forschung. Beihefte, Band 17), p. 143-190. https://doi.org/10.17885/heiup.862.c11481

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This work is licensed under a Creative Commons License 4.0
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Creative Commons License CC BY-NC-SA 4.0

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ISBN 978-3-96822-087-1 (Hardcover)

Published 16.09.2021.

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    • Jürgen Müller

    Der Maler als Pasquino – Spott, Kritik und Subversion

    Eine neue Deutung von Caravaggios Amor vincitore

    Abstract Going beyond the existing interpretations, the painting is to be interpreted as a response to the invectives against Michelangelo’s “Last Judgement”. Caravaggio re­sponds to the numerous counter-Reformation attacks, but also to those invectives that questioned the artist because of his homosexuality. In the process, hitherto unconsidered sources are added to the interpretation.